![]() ![]() He got the script, read it twice before meeting with producers at 6 a.m. But even well-oiled vehicles like “Fast” run into their own problems and for this film, franchise veteran Justin Lin made the surprising decision to step away from directing while filming was already underway.įrench director Louis Leterrier had been talking to Universal about directing a “Fast” film for years, but he never expected his shot to come in the form of a 2 a.m. It opens June 2.īig budget spectacles like “Fast X,” the penultimate movie in the $6 billion franchise led by Vin Diesel, are more typical summer fare. You know, it’s safe when you release a movie in like six theaters.”Ī24 is also giving a wide release to another Sundance sensation, Celine Song’s wistful and romantic directorial debut “Past Lives,” starring Greta Lee as a woman considering the other path her life may have taken. “But I’ve never had a movie release like that. This doesn’t have to be an indie movie,’” Holofcener said. “I think A24 felt like, ‘Oh, this could cross over. It debuted to raves at Sundance earlier this year. Her latest is an insightful New York-set comedy about what happens to a relationship when Julia Louis-Dreyfus’ character accidentally overhears her therapist husband (Tobias Menzies) confessing that he doesn’t like her book. So it came as a surprise when A24 told her they wanted to go wide on Memorial Day weekend for “You Hurt My Feelings.” On quite the opposite spectrum, indie darling Nicole Holofcener has in her three decades of directing movies grown used to getting smaller releases for her films. “It feels like people are returning to the theaters.” “I’m actually glad that we waited until 2023 when officially the pandemic is over,” he said. “I really wanted to make sure that the story and the characters led it.”Įven in the throes of the pandemic, Marshall was confident that “The Little Mermaid” was too big to end up as a streaming offering. “As complicated as it as it was, my goal was never to let the technical part of it lead it,” said Marshall, who has been at work since 2018. Disney’s live-action “The Little Mermaid” will have a 3D IMAX version, a laser version and a Dolby one all available when it opens in theaters on May 26.ĭirector Rob Marshall was no stranger to technically ambitious movie musicals but “The Little Mermaid,” starring Halle Bailey as the teenage dreamer, put him to the test trying to stage a photorealistic underwater musical. Fox Movie,” “Stephen Curry: Underrated”) and a starry Wes Anderson movie (“Asteroid City.”)Īnd it’s not just the superhero films getting wide releases and large format screens. There are movies based on comic characters (“The Flash,” “Spider-Man: Across the Spider-Verse”), toys (“Transformers: Rise of the Beasts”), racing games (“Gran Turismo”) and theme park rides (“Haunted Mansion”) Action adventures (“Indiana Jones and the Dial of Destiny,” “Mission: Impossible - Dead Reckoning”) Family friendly fare (“Elemental,” “Harold and the Purple Crayon”) Documentaries (“Still: A Michael J. And, it seems, every studio has re-prioritized theatrical releases over direct-to-streaming. This year there are 42, the same as in 2019, spanning every genre. Last summer, only 22 films released on over 2,000 screens. Last year hit $3.4 billion.īut the industry is feeling optimistic. Pre-pandemic, that usually meant more than $4 billion in ticket sales. Since “Jaws,” the summer season has been the most important for the moviemaking industry and typically accounts for around 40% of a year’s domestic box office, according to data from Comscore. This year it kicks off on May 5 with the release of Disney and Marvel’s “Guardians of the Galaxy Vol. The summer movie season always begins before actual summer. And before you go googling, the Highlander jokes are not about that film’s disastrous 1986 box office run, but instead the enduring “there can only be one” line. There were even a few hours in April when the internet panicked that the beach-off was canceled (it wasn’t). In 2008, “The Dark Knight” debuted on the same weekend as “Mamma Mia!” and both went on to be major successes.īut it has inspired the kind of feverish, half-serious, half-joking discourse online that no marketing can buy, with memes, jokes, bets and Highlander references galore every time either film drops a new advertisement. Second, while opening weekends are important, they’re also not everything. ![]() First, it’s entirely possible to see two new movies in one weekend. The “Barbieheimer” showdown is, naturally, a bit silly. On that fateful Friday, cinephiles will be faced with a difficult choice: Christopher Nolan’s “Oppenheimer” or Greta Gerwig’s “Barbie”? The stakes are always high in the summer movie season.īut even in a schedule that has heavyweights like Indiana Jones, Ariel, Ethan Hunt and Dominic Toretto vying for box office supremacy, the biggest, funniest showdown is happening on July 21.
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